Swinburne’s poetry

January 7, 2010 at 7:25 pm (Uncategorized) (, )

Algernon Charles Swinburne (1837-1909) is considered one of the key British Decadents, although he was perhaps less dedicated to the decadent lifestyle than he professed to be. Oscar Wilde sarcastically observed that Swinburne was “a braggart in matters of vice who had done everything he could to convince his fellow citizens of his homosexuality and bestiality without being in the slightest degree a homosexual or a bestialiser.”  The fact remains, however, that he wrote some truly delicious poetry. He’s gone out of fashion a bit in recent years, which is a great pity.

Swinburne portrait by Rossetti

A sketch of Swinburne by Dante Gabriel Rossetti

I love Swinburne’s poetry. He returned several times to the themes of sexual ambiguity and synaesthesia, as well as erotic obsession. He wasn’t afraid of depicting powerful, sexually active women in his poems – just one of the reasons he was thought to be ‘unhealthy’ by the more staid members of Victorian society. Although Victoria herself was supposed to be a fan. One of his most quintessentially decadent poems is, of course, the wonderful Faustine, though it’s rather too long to post here. Another of my favourites is ‘Cleopatra’, which I have copied out below.

Her mouth is fragrant as a vine,
A vine with birds in all its boughs;
Serpent and scarab for a sign
Between the beauty of her brows
And the amorous deep lids divine.

Her great curled hair makes luminous
Her cheeks, her lifted throat and chin.
Shall she not have the hearts of us
To shatter, and the loves therein
To shred between her fingers thus?

Small ruined broken strays of light,
Pearl after pearl she shreds them through
Her long sweet sleepy fingers, white
As any pearl’s heart veined with blue,
And soft as dew on a soft night.

As if the very eyes of love
Shone through her shutting lids, and stole
The slow looks of a snake or dove;
As if her lips absorbed the whole
Of love, her soul the soul thereof.

Lost, all the lordly pearls that were
Wrung from the sea’s heart, from the green
Coasts of the Indian gulf-river;
Lost, all the loves of the world—so keen
Towards this queen for love of her.

You see against her throat the small
Sharp glittering shadows of them shake;
And through her hair the imperial
Curled likeness of the river snake,
Whose bite shall make an end of all.

Through the scales sheathing him like wings,
Through hieroglyphs of gold and gem,
The strong sense of her beauty stings,
Like a keen pulse of love in them,
A running flame through all his rings.

Under those low large lids of hers
She hath the histories of all time;
The fruit of foliage-stricken years;
The old seasons with their heavy chime
That leaves its rhyme in the world’s ears.

She sees the hand of death made bare,
The ravelled riddle of the skies,
The faces faded that were fair,
The mouths made speechless that were wise,
The hollow eyes and dusty hair;

The shape and shadow of mystic things,
Things that fate fashions or forbids;
The staff of time-forgotten Kings
Whose name falls off the Pyramids,
Their coffin-lids and grave-clothings;

Dank dregs, the scum of pool or clod,
God-spawn of lizard-footed clans,
And those dog-headed hulks that trod
Swart necks of the old Egyptians,
Raw draughts of man’s beginning God;

The poised hawk, quivering ere he smote,
With plume-like gems on breast and back;
The asps and water-worms afloat
Between the rush-flowers moist and slack;
The cat’s warm black bright rising throat.

The purple days of drouth expand
Like a scroll opened out again;
The molten heaven drier than sand,
The hot red heaven without rain,
Sheds iron pain on the empty land.

All Egypt aches in the sun’s sight;
The lips of men are harsh for drouth,
The fierce air leaves their cheeks burnt white,
Charred by the bitter blowing south,
Whose dusty mouth is sharp to bite.

All this she dreams of, and her eyes
Are wrought after the sense hereof.
There is no heart in her for sighs;
The face of her is more than love—
A name above the Ptolemies.

Her great grave beauty covers her
As that sleek spoil beneath her feet
Clothed once the anointed soothsayer;
The hallowing is gone forth from it
Now, made unmeet for priests to wear.

She treads on gods and god-like things,
On fate and fear and life and death,
On hate that cleaves and love that clings,
All that is brought forth of man’s breath
And perisheth with what it brings.

She holds her future close, her lips
Hold fast the face of things to be;
Actium, and sound of war that dips
Down the blown valleys of the sea,
Far sails that flee, and storms of ships;

The laughing red sweet mouth of wine
At ending of life’s festival;
That spice of cerecloths, and the fine
White bitter dust funereal
Sprinkled on all things for a sign;

His face, who was and was not he,
In whom, alive, her life abode;
The end, when she gained heart to see
Those ways of death wherein she trod,
Goddess by god, with Antony.

9 Comments

  1. Swinburne's poetry « Decadenthandbook's Blog said,

    […] Swinburne's poetry « Decadenthandbook's Blog Categories: Love & Relationships Tags: depicting-powerful, hindi-poetry, lessons, nerves, […]

  2. Al Griffith said,

    Swinburne used to be my favourite poet. In fact he still is! He probably destroyed his own reputation to some extent by writing too much. Had he stopped after his first few volumes of verse had been published he’d probably be much more highly thought of today.

    • Decadent Handbook said,

      This is true – it’s a shame when writers feel pressure to produce more material. I love Swinburne though, he was a very fine poet.

  3. melmoth said,

    For sheer beauty Swinburne is hard to top. Faustine makes me swoon. Laus Veneris also.

  4. Janie said,

    Favorites come and go with academia. I think Swinburne is still a favorite with a lot of people. I often see him used as a character in fiction. It’s that Pre-Raphaelite connection. But over all, he has a powerful voice.

  5. Bunbury said,

    I just came across your blog, and I absolutely love it. A rich testament to the power and beauty of decadence. Keep up the excellent work.

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